This criterion is crucial. It explains how human norms and conventions differ from the ritualised behaviours found in nonhuman primates. Several authors have explained doable iconographical influences from Mesopotamia to the Indus Valley.[98] Gregory Possehl notes "Mesopotamian themes in Indus iconography", specifically patterns relevant to the Gilgamesh epic, suggesting that https://hectortsppm.blogsuperapp.com/31585846/not-known-details-about-beads-in-mediterranean-cultures